Displaying Your Guitar With Acrylic

“Hi, In your article above, you talked about making your own guitar display case. Do you have instructions/advice on how to do it? Please let me know.Thank you. Regards, Greg”

 

Dear Greg,

I scoured the net looking for some cool ideas and here they are along with an educated guess to how you’d put it together…

btw – if you’re in Toronto, Ontario then call Warehoused Plastic Sales, otherwise look in the Yellow Pages under “plastics distribution” or “plastic distributor” for all the materials mentioned here.


3/8″ clear acrylic, 6 sided box (2 of each – 3 different sized pieces), acrylic hinges at the top, cemented with Weld-On 3 or 4, the head appears to be locked in with simple “L” shapped pieces of acrylic (slides in right to left), and the head appears to be held up with a vertical piece of acrylic camoflaged by the photo – all material you can buy at your local plastic distributor.


This is a very simple project. 1 Piece of 3/8″ or 1/2″ acrylic at the top affixed to two pieces of MDF or wood covered in case fabric – my guess is they couldn’t match the exact fabric of an old case so they went to their local fabric store and got enough material to redo the case AND the sides. The top piece of acrylic would have P shape grooves cut in to them to securely fit and hold the necks.


Simple six sided box cemented together – the top piece appears to have 4 pieces cemented onto its bottom to secure into the main body of the display. Two small rectangular pieces of acrylic secure the neck near the head. There appears to be two screw holes across from the top tuning pegs to affix the display to the wall.


Wooden box with acrylic front affixed by metal hinges.


Cut the top out of a metal road case, use epoxy to cement in 1/4 acrylic, use some kind of foam base to shape the bottom and cover it in fabric.


1/4″ clear acrylic 5 sided box cemented to a piece of black acrylic. Clear acrylic hinges on the top with an acrylic clasp. Black acrylic cemented on the bottom as “legs”


NOW… JUST FOR AN IDEA

Find a local vacuum former (Yellow Pages under thermal forming or vacuum forming) and have them suck a piece of acrylic or PETG over the top of your guitar. This will create an identical shell in the shape and texture of your favorite axe. Then, hinge the shell to a piece of wood or plastic underneath it.


Use florescent edge acrylic like they do in car audio systems to make your own guitar amp

* * * SOME NOTES ON PIECING YOUR ACRYLIC PROJECT TOGETHER * * *

There’s no 2nd chances with acrylic. You work with wood, make a mistake, you sand it out. You scratch acrylic or get cement on it – it’s done, move on to the next piece.

Cementing: When working with acrylic cement you’re actually bonding at the molecular level – remember putting together model cars or planes and when the glue got on a part it literally melted it? That’s what’ll happen here. PRACTICE, PRACTICE, PRACTICE!

Cutting: You can cut acrylic on a table saw but make sure you leave the protective masking on – maybe you should ask for paper masking so you can draw shapes on the piece to cut out. Your edges have to be perfect – no chatter from the blade. You should use a planer (jointer) to achieve a smooth edge for gluing.

Drilling: use a drill bit rated for plastic. It has a 90 degree point vs a 45 degree point found on most wood bits. This reduces the stress when the bit pushes through the other side of your piece to AVOID CRACKING. Use a chamfer bit or sand the hole to get rid of any burrs or fractures, otherwise the piece may crack at these points.

Your workshop should have ZERO humidity and ZERO dust – humidity will cause bubbles at the joints and dust will just screw things up.

It may be worth it to be the design engineer for the project and let an experienced plastic fabricator put the pieces together for you. In the end, it’ll all work out EXACTLY the way you want.

ASK QUESTIONS – inquire about glass edge, exotic edge, florescent edge, matte finishes… build little scale models before committing to the big project.

Working with acrylic can be very exciting – but, it can be frustrating too. It’s just part of the game.

Send me your project pictures – those that worked and those that didn’t. We’d love to show case your work.

Styrene For Hobby Railroad Modelling

Source: http://members.shaw.ca/sask.rail/construction/lsbuild/workstyr.html

(From The Saskatoon Railroad Modelers)

BUYING STYRENE

First of all, what IS Styrene? Styrene is a solid plastic made by polymerisation of styrene gas. It is commonly sold in three forms:

  • expanded styrene usually refered to as Styrofoam and used in the building industry as insulation.
  • sheet styrene, with or without designs molded or pressed into one or both faces.
  • injection molded mechanical or decorative parts, and model kits.

All three forms of styrene are useful in model railroading. This page will deal mostly with the use of sheet styrene and partly with decorative parts and kits.A wide variety of plain and decorative styrene sheets can be purchased at hobby shops. The best known brand is Evergreen Scale Models. They produce, for example, V-groove, board & batten and novelty sidings, and sheet metal and corrugated metal roofing in 6″ x 11.5″ sheets. They also produce 14″ long strips of various sizes, including HO scale lumber. Ask to see the hobby shop’s Walthers catalogue to check out all the sizes and types available. If your hobby dealer does not stock this material, he can order it from Walthers, or you can order it directly.

Be wary of other brands of plastic sheets that your hobby shop may mistakenly claim to be styrene. If they are not styrene, then they will likely require different working techniques and materials. This is not to disparage those materials – they are useful in their own right, but they are not the styrene being discussed in this page. Some you may run into include Holgate & Reynolds embossed sheets (made of Vinylite), Plastruct plastic shapes and components (made of Acrylonitrile Butadiene Styrene or A.B.S.) and various other brands for which the manufacturer does not specify the type of plastic.

Builders in Large Scale may find it more economical to purchase plain styrene sheets in industrial sizes. Plastic dealers, for example Cadillac Plastics (11629-149 St. Edmonton 1-800-661-9322) can supply 40″ x 70″ white styrene sheets .010 inches thick and 4′ x 8′ sheets .020, .030, .040, .060, .080 and .125 inches thick. Cost is about $4 per 10 thou of thickness ie. a sheet of .030 will cost about $12.

Glue for styrene can be purchased at your hobby shop. There are many glues and cements that will do, but the author’s favourities are Testors No. 3501 Cement for Plastic Models where a tube glue containing some filler is required, and Testors No. 3502 Plastic Cement where a straight solvent cement without filler is needed.


CUTTING STYRENEOn the list of things that make working with styrene a pleasure, ease of cutting must be close to the top. Unlike wood, styrene has no grain to worry about. And unlike metal, only two inexpensive tools are required for cutting styrene. The tools are a sharp knife, preferably with replaceable or snap-off blades, and a ruler or straight edge with cork backing. Self-stick cork backing is available, for example from Artistic Touch of Glass (3010 Arlington Ave. Saskatoon (306) 955-3600) for about $1 per foot. The cork keeps the ruler from slipping on the smooth surface of the styrene, and is worth its weight in gold in frustration avoided and in finger tips saved.The three of four steps to cutting styrene are as follows:

FIRST STEP (and hardest) is deciding where to cut. Cutting lines can be marked on styrene with a pencil. Straight cutting lines need to be marked only at the ends, but curves should be marked for the full length. Curves can be laid out free hand or with compasses or by tracing around something with the right diameter, depending on the required result.

SECOND STEP is scoring the plastic. For straight cuts, position the edge of the ruler EXACTLY over the cutting line. This is easy if you put the tip of the knife exactly on one of the pencil marks and slide the ruler up to it. Then put the tip of the knife on the other pencil mark and rotate the ruler until it again touches the knife. Recheck the first end, then draw the knife along the ruler edge to score the surface of the styrene. If the knife is sharp, only a light pressure is required. Ideally, the ruler should be over top of the piece you want, so that if the knife wanders at all, it wanders into the scrap. For curved lines, it is often necessary to follow the line by eye. Try to keep the knife in contact with the styrene at all times, so that the score line is continuous. Often it is easier to turn the material than it is to turn the knife, so that you never have to cut at an awkward angle.

THIRD STEP is breaking the plastic at the score. With the score towards you, bend the ends away from yourself. For straight cuts, this is a snap (pun intended). To convince yourself just how easy it is, try it a few times on a scrap piece of styrene. Also try snapping a piece that has not been scored, just to get a feel for how tough this stuff really is. Curves are a little harder to snap. Usually it helps to work in stages, first gently bending the plastic at the score line, working along from one end to the other. Then work back, bending a little more. Keep working back and forth, bending a bit more each time until the score line penetrates right through and the plastic separates.

Cutting holes in the center of a piece by this “score and snap” method is somewhat harder. Round holes, particularly larger ones, are not too bad if you keep working gently around them until the center breaks free. Rectangular holes, for example holes for windows, are more difficult. Often cracks will develop at the corners no matter how carefully you work. One way to avoid this is to drill a small to tiny hole at each corner. ( If you don’t have a drill, use a heated pin to make the holes – just don’t breath the smoke). Then connect the holes with knife scores. On the front of the sheet, use the ruler as a guide and connect the holes in the desired rectangle. On the back, connect the corners in a X. Press on the center of the rectangle from the front of the sheet to snap all the scores and pop out the scraps.

FOURTH STEP if required, is to remove the burr left from scoring. The fatter the knife, the duller the knife and the more pressure used, then the more material that will be pushed up on each side of the score line. See figure at left, below. This ridge can be felt by dragging a finger nail across the cut edge of the sheet (DO NOT drag your fingers along the edge – a cut edge can be sharp enough to cut you back!) In many applications, this ridge is of no consequence but in others, it does matter. It can cause enough separation between pieces that solvent welding won’t work properly. The left hand drawing in the figure below shows a vertical knife blade creating burrs as it scribes a horizontal piece of styrene. The right hand drawing shows two pieces of styrene being held apart by a burr on one of them.

The solution is to bevel the corners at about 45 degrees by scraping off the burr with a sharp knife. A single pass is often all it takes.


SCRIBING STYRENEScribing styrene, that is, making shallow grooves in its surface, is a useful technique when it comes to replicating walls, fences etc. made of boards, blocks, tiles etc., or for simulating cracks or joints in concrete, roadways etc. Sometimes a knife cut made with a hobby knife is enough – perhaps for a crack that has formed but has not yet opened up. But often a good healthy groove is needed to make a strong statement that can be seen many feet away. For example, a board fence becomes almost unrecognizable if the joints between the boards are not readily visible. The question then becomes, how do we make the grooves i.e. how do we scribe styrene.The answer is to use a scribing tool. If you are fortunate enough to own a Richards Formica knife, the kind that looks like a carpet knife with a little triangle of carbide set in the tip, you are in business and can skip the rest of this section. If not, you can make a servicable tool from an old half round file, or even from a cheap new one, using a bench grinder.

In the diagram above, such a file is shown in the insert in the upper right corner. You are looking at the flat side of the file, and the tang would be out of the picture to the right. The file is converted into a scribing tool in three steps. Firstly, the teeth are ground off the flat side of the file for about the last inch. This is to make it slide easily along your straight edge and getting it smooth is worthwhile. Next, a hook about 1/4″ wide and protruding 1/8″ or a little more is formed on the end of the file. It is formed by grinding away the bottom edge of the rest of the file, leaving the hook at the end. If you are lazy, as the author was, you can taper off your grinding an inch or so from the hook and leave the rest of the bottom edge intact (this is the way it is shown in the insert.) The third step is to turn the hook into a sort of blunt knife. This is shown in the left side of the diagram above. The bottom of the knife must slope up toward the end, by at least 15 degrees. This relief angle is to allow the tool to be tilted up enough to let you wrap your fingers around the handle, and still allow the tool to cut. If relief angle is more than about 20 degrees, the tool will tend to dig in and tear the work. It sounds hard, but it can be done rather easily if you take the time to draw a 15 degree angle on a piece of paper using a protractor or compasses. Then you can align the bottom of the file with one leg of your angle and slide the file along that leg until the edge of the knife meets the other leg of your angle. It is then easy to see how close your relief angle is to 15 degrees. Of course, if you happen to own a machinist’s protractor, just set it at 175 degrees and checking the angle is dead easy. (If you have a spare machinist’s protractor, send it to the author – he wishes he had one too!) Once you have established the relief angle, you can sharpen the knife. The knife should be sharpened to a rather blunt angle, somewhere between 45 and 60 degrees. This is harder to measure than the relief angle, but it is not so critical. Just draw an angles of 45 and 60 degrees on a piece of paper and check by eye that the knife edge is between these two limits. The knife should be sharpened its full length – not hard, it is after all only 1/4″ long, and it should be sharpened to the same angle either side of vertical. If you are good with a grinder, it helps to sharpen only a little on the side toward the flat side of the file and a lot more on the side toward the round side of the file (as shown in the end-on view at the left of the above diagram). However, this is a nicety more than a necessity and getting the knife sharpened from end to end without destroying the relief angle is far more important. Finish off the scribing tool, if you want, by wrapping some duct tape around the file a comfortable distance up from the knife.

To scribe styrene with the formica knife or the scribing tool, first make pencil marks near the tops and bottoms of the lines to be scribed. There is no need to draw the whole line. Next place the cutting tip of the knife or tool on the top mark of the first line to be scribed. Note that the cutting tip of the scribing tool is the end of the knife nearest to you. Slide the ruler over until it touches the side of the knife. Swing the ruler until it is the same distance away from the bottom mark, judging by eye. Lastly, draw the knife or tool toward you to make the groove. Tip #1 – if the near edge of the sheet being scribed is aligned with the near edge of your work table, the knife or tool will fall into space at the end of the groove rather than gouging your table. Tip #2 – if the sheet being scribed is just a bit taller than the finished product, you can start scribing just a bit down from the top, which is much easier. If the sheet is already finished size, you can still start a little bit down from the top, then after all the lines are scribed, turn the sheet around and finish off the last bits scribing towards yourself.


JOINING STYRENEIf the pieces of styrene fit tight together without gaps then solvent welding is the strongest way of joining the pieces. Solvent welding is done with a liquid that will slightly dissolve the two surfaces to be joined, allowing them to flow together and become one piece. The handiest liquid is any of the plastic cements sold for the job, for example Testors No. 3502 Plastic Cement. Note that these solvents should be used only with adequate ventilation.A cheaper alternative which should ONLY be used outdoors or possibly in a properly constructed and ventilated spray booth, is lacquer thinner. While it does not produce as good a joint due to its quick evaporation, lacquer thinner is an attractive alternative when building large scale structures and large amounts of solvent are required.

When the pieces to be joined do not fit tightly together, a solvent with some filler in it is required. This is where tube glue comes into play. The idea is that the filler fills up the space. This does happen initially, but over a period of time, as the solvent slowly evaporates through the bonded pieces of styrene, the filler tends to shrink, either weakening the joint or possibly distorting it. A building on the author’s HO layout stands mute testimony to the folly of running a bead of tube glue down the insides of the corners to reinforce them. It was one of his first tries at scratch building in styrene, and it seemed like a good idea at the time. However, over the next few months, the corners all pulled in as the glue shrank, leaving the walls concave and the building looking derelict. This almost caused a return to wood and cardstock construction.

Sometimes pieces of styrene need to be joined so that they can occasionally be taken apart and reassembled. This can be done using machine screws either with nuts or with tapped holes. Styrene taps beautifully using ordinary taps without lubrication. It does not do as well using self tapping screws. Styrene can also be joined with pop rivets, but backing washers must be used behind the work, and should also be used under the head of the rivet as well.

Sometimes styrene needs to be glued or bonded to other materials. Many things work here, including some mixed solvent cements that will bond dissimilar plastics (make sure styrene and the other plastic are both listed on the label). For indoor applications, cyanoacrylates work well, but do not seem to last in outdoor work. For small jobs, Walthers Goo will stick styrene to just about anything, but in larger jobs may cause distortion of the styrene if the evaporation of the solvents is delayed, for example when bonding styrene to metal. For large jobs, e.g. laminating styrene onto plywood, contact cement works well. Automotive weatherstrip cement works well for small laminating jobs, and for bonding to metal, but can be messy. One product that does not work all that well is silicone seal, but it still has it uses, for example bonding glass windows to styrene (sticks well to the glass, not so well to the styrene).


PAINTING STYRENEMost paints will stick to styrene well enough to allow them to be used indoors in locations that will not require a lot of handling. For brush applications, oil based paints such as Testors flat colours, and various brands of water based acrylics work particularly well. Household latexes also work, but the heavy coats needed for colour coverage tend to obscure fine details. Lacquers such as Floquil or Scale Coat are not recommended for brushing on styrene.Where a lot of handling is required, for example rolling stock, or where the project will be exposed to the weather, lacquer applied with an air brush is the best choice. The author’s top choice is Floquil thinned with Diosol, applied without a barrier coat. When applied with an air brush in light coats, it attacks the surface of the styrene just enough to make a really strong bond without causing crazing. A bit of practice with some styrene scraps goes a long way toward finding out just how light or heavy a coat to use. An expensive new engine shell or a structure that has taken many hours to complete are NOT good places to practice. And NEVER use spray cans of lacquer directly on styrene – the flood of material that they produce is guaranteed to cause problems.

Other workers report good success with water based paints applied with an air brush. The author’s hesitation in endorsing them lies solely in his inexperience with them. Their advantages seem obvious – easy cleanup with water and no harmful solvents that require using a spray both and/or a mask to absorb the vapours. However, plain water may not completely clean the air brush, and a good mask to absorb the mist of fine droplets of paint is still necessary. Not to put too fine a point on the latter, IF YOU BLOW, YOU KNOW. Blow your nose on a white tissue right after your paint job. If there is any paint colour at all on the tissue, your mask is not working well enough.

Often the durability of paint can be improved by applying a clear top coat over it. Testors Dulcote is often used indoors, and it works wonders in protecting decals and dry transfers in addition to the paint. Outdoors, Dulcote tends to become milky, and the heavier the applied coating, the milkier it becomes. The look is reminiscent of the chalky surface of self cleaning house paint and is often acceptable, particularly as there does not seem to be an alternative.

* * *

Please contact Warehoused Plastic Sales for all your hobby plastic needs – acrylic, polycarbonate, styrenes, teflon, PETG

Our 2000th Blog Visitor – In Only 6 Weeks!

About 6 weeks ago I introduced the whole blog thing to the Prisma Marketing Committee. The concept was rather new to the owner/partners at the table but a few of the others were familiar with the term, but not necessarily the value of business blogging. There is no question in my mind, now, that a huge void exists with respects to experiential knowledge about plastics. There’s lots of factual stuff out there – lots of figures and mechanical properties that makes engineers salivate. But, what’s really needed, and where I encourage our distribution brethren around the planet to focus on, is getting people who use the plastic we sell to document their experiences in the form of photos, anecdotes, tips, tricks, and workshop solutions to inspire people to reap the benefits that plastic offers – to share the passion we have as plastics professionals.

The word PLASTIC appears before us daily in print and on-line. It’s now becoming part of the public consciousness. Now, more than ever, plastic has to be re-framed from that of a problem child to a misunderstood benefactor of humanity. Truly, plastic can change lives. It can save lives. It can prevent death. Let us focus on these values and develop a better product that fits the society we wish to live in.

* * * * * *

Banner Stands And A Shout Out To SCL Imaging!

Owen and his crew over at SCL Imaging did a great job on our TIVAR bulk handling/linings banner stand we needed for an upcoming trade booth. The process is pretty simple – lay it out, flip it to a PDF, and email it to them. Turn around was quick, no hassles, and the quality is A#1!

SCL Imaging is a full digital print house capable of doing print on demand, posters, point of purchase displays, food service displays, exhibits and displays, lambda imaging, flatbed imaging and a lot more.

Give’m a call with your next project and let’m know the PlasticGuy sent you

Thanks again, Owen

 

Warehoused Plastic Sales,
as a member of PRISMA Plastics,
is Quadrant’s Canadian partner for
industrial truck & hopper liners
utilizing Tivar UHMW

Fujitsu’s Bioplastic Notebook PC

http://www.vestaldesign.com/blog/2005/08/fujitsu-bioplastic-notebook-computer.html

Fujitsu Bioplastic Notebook Computer

August 24th, 2005

PLA (polylactic acid) plastics aren’t just for food packaging anymore! Fujitsu’s 2005 spring model of its FMV-BIBLO NB80K notebook computer is the first of its kind to feature bioplastic components. While the polymer used in this computer is actually a 50/50 blend of PLA and petroleum based plastic (probably ABS or polycarbonate), GreenBiz reports that this polymer blend accounts for 60% of the plastic in the product.

Kara Johnson, Director of Materials at IDEO, explained in a materials lecture at Stanford that the future is bright, but 100% PLA has a long way to go before being able to meet the engineering requirements for consumer electronics, especially toughness, flame retardancy, and glass transition temperature. Fortunately, lots of sharp students and researchers are working on it.

Bioplastics – More Than Just Forks!

 

source: http://www.iht.com/articles/2007/03/21/business/green6a.php

The new bioplastics, more than just forks

March 21st, 2007

Meg Sobkowicz was on a fast career track in the oil industry. A bachelor’s degree in chemical engineering from Columbia University landed her a job at Schlumberger running wire-line logs on oil wells in New Mexico. Next stop was to be Casper, Wyoming, the heart of the U.S. West’s oil and natural gas boom. But she jumped off the track.

“I knew that working in the oil industry was not in sync with my values,” Sobkowicz, 28, said. “I wanted something with an alternative-energy connection.”

Now, as a doctoral student at the Colorado School of Mines in Golden, Sobkowicz is one of a growing number of chemists who are developing bio-based plastics that can supplant those made from oil. Sobkowicz is working on improving the durability of plastics derived from corn and other plants, developing nanoscale fibers from cotton to reinforce them.

Bioplastics can offer several benefits: reducing greenhouse gas emissions in the production process, minimizing toxic waste and promoting rural economic development by using local crops. They can also be biodegradable.

While disposable cutlery, food packaging and even fabrics made from corn have been on the market for several years, companies are now moving toward applications where performance, heat resistance and durability are more important. These applications typically require that biopolymers be reinforced with kenaf fiber — similar to jute — or other fillers.

Products based on durable biopolymers have begun appearing in the marketplace. Japanese companies like NEC, Unitika and NTT DoCoMo are making cellphones with casings made from bioplastics. Toyota Motor uses bioplastic reinforced with kenaf for the rear package tray in its Lexus ES300 model.

The largest commercial producer of bioplastic is NatureWorks, owned by the food-processing giant Cargill. The company’s plant in Blair, Nebraska, uses corn sugar to produce polylactide plastic packaging materials and its Ingeo-brand fibers. It churns out white pellets that other manufacturers use.

The second-largest biopolymer producer is Metabolix of Cambridge, Massachusetts. It makes a different form of polymer for applications ranging from rigid molded items to flexible film for shopping or garbage bags.

Metabolix claims that its plastics are biodegradable in environments like backyard composting bins, wetlands and the ocean. According to the Biodegradable Products Institute, bioplastics should decompose into carbon dioxide and water in a “controlled composting environment” — a municipal facility, for instance — in less than 90 days.

“A lot of bio-based products are tossed out like cigarette butts, and for various reasons never decompose,” said James Barber, chief executive of Metabolix. “I can’t conceive of a system that’s so perfect that none of this stuff will escape into nature. For the stuff that does escape, we’re a backstop, ensuring that it won’t last thousands of years.”

But representatives of the petrochemical industry point out that plastics made from fossil fuels can be biodegradable, too. And they note that most bio-based plastics, if tossed in a landfill rather than a municipal-scale composting facility, might as well be a tin can or a conventional plastic bottle.

“It’s not just bio-based versus petroleum-based,” said Judith Dunbar, director for environmental issues at the plastics division of the American Chemistry Council, which represents hundreds of plastics manufacturers.

Even some scientists who are creating bioplastics caution against overstating their benefits. John Warner, director of the Center for Green Chemistry at the University of Massachusetts at Lowell, said it was unlikely they would offer advantages in every application.

“It’s not about finding the magic material that’ll replace all bad materials,” he said. “But if you promote a replacement material, it’s got to do as good of a job, not just sell itself as a swell biopolymer. And it’s got to be cost effective. We’ll get there.”

* * * [ PICTURE NOT WITH ORIGINAL ARTICLE ] * * *


Ventilex Dryer/Cooler for Bioplastic

Plastic Bone Grafts From Plants

Source: http://www.sciencedaily.com/releases/2007/03/070319175907.htm

Source: Rutgers, the State University of New Jersey
Date: March 26, 2007

Plant Biomaterials Could Become A Source For Bone Grafts

Science Daily The National Science Foundation (NSF) has Rutgers scientists looking to plants as a source of materials for cardiovascular stents, bone and tissue grafts, antiviral and antibacterial food packaging, and personal care products. The research will develop “hybrid” materials by combining naturally occurring plant substances, such as starch from corn or potatoes, with synthetic degradable polymer biomaterials.

This initiative can yield cost-effective, bio-based materials to replace petroleum-derived plastics while creating new economic opportunities for American farmers now threatened by low commodity prices.The two-year project is supported by a $600,000 NSF Partnerships for Innovation program grant to the New Jersey Center for Biomaterials (NJCBM) based at Rutgers, The State University of New Jersey. The project will be led by NJCBM Director Joachim Kohn and Assistant Research Professor Carmine Iovine, a new Rutgers faculty member. “This project takes inspiration from George Washington Carver, whose lifework produced products from peanut and soy crops that revolutionized the economy of the South, freeing it from dependence on cotton,” Kohn said.

Iovine, recognized for his more than 40 years of industrial experience and expertise in biopolymer and synthetic polymer chemistry, came to Rutgers from New Jersey-based National Starch and Chemical Company, where he served as vice president for research and development of National’s parent, the ICI Group.

The project team will include Professor Michael Pazzani, vice president for research and graduate and professional education; Assistant Professor Mikhail Chikindas and Research Professor Kit Yam of Rutgers’ Center for Advanced Food Technology (CAFT) and department of food science; Research Chemist LinShu Liu of the U.S. Department of Agriculture’s Eastern Regional Research Center; and NJCBM and CAFT industrial members.

Exploring somewhat different applications with NJCBM industrial partner Salvona Technologies of Dayton, N.J., the team will evaluate the possible use of the hybrid polymers for the delivery of fragrances in personal care and other consumer applications.

“The diversity of potential applications of the new materials has brought together an exciting group which stands to gain from the new technology that this partnership will be developing,” said Iovine.

A unique Rutgers resource from the Rutgers Business School will pair education with research through its participation in the project. The MBA Interfunctional Team Consulting Program will bring graduate students into this real-world experience where they can sharpen their problem-solving and team-building skills while conducting valuable market analyses and surveys for the products potentially emerging from the project.

Materials scientists, polymer chemists and biomedical engineers will bring their expertise in synthetic polymers and biomedical technology to the project. Agriculture and food scientists and engineers will add their knowledge and skills in plant materials, biopolymers and food industry technology.

“With NSF support, our project will bring together these normally disconnected streams of science and technology, leveraging the skills, capabilities and knowledge of all the partners in this endeavor,” said Iovine.

Plastic – From Potatoes?

Source: http://www.iht.com/articles/2007/06/19/healthscience/snbioplastic.php

Bioplastics lifts garbage out of the trash heap

By Nonny de la Pena

Published: June 19, 2007

Carbon dioxide. Orange peels. Chicken feathers. Olive oil. Potato peels. E. coli bacteria. It is as if chemists have gone Dumpster diving in their hunt to make biodegradable, sustainable and renewable plastics. Most bioplastics are made from plants like corn, soy, sugar cane and switch grass, but scientists have recently turned to trash in an effort to make so-called green polymers, essentially plastics from garbage.

Geoff Coates, a chemist at Cornell, one of the leaders in the creation of green polymers, pointed to a golden brown square of plastic in a drying chamber.

“It kind of looks like focaccia baking, doesn’t it?” Coates said. “That’s almost 50 percent carbon dioxide by weight.”

Coates’s laboratories occupy almost the entire fifth floor of the Spencer T. Olin Laboratory at Cornell, and have a view not only of Cayuga Lake and the hills surrounding the school in New York State, but of a coal power plant that has served as a kind of inspiration. It was here that Coates discovered the catalyst needed to turn CO2 into a polymer.

With Scott Allen, a former graduate student, Coates has started a company called Novomer, which has partnered with several companies on joint projects. Coates imagines CO2 being diverted from factory emissions into an adjacent facility and turned into plastic.


The search for biocomposite materials dates from 1913, when both a French and a British scientist filed for patents on soy-based plastic.

“There was intense competition between agricultural and petrochemical industries to win the market on polymers,” said Bernard Tao, a professor of agricultural and biological engineering at Purdue.


Scientist Scott Allen drains the polymer reactor
after a processing at Cornell University
in Ithaca, N.Y., May, 2007.

Much of the early research on bioplastics was supported by Henry Ford, who believed strongly in the potential of the soybean. One famous 1941 photo shows Ford swinging an ax head into the rear of a car to demonstrate the strength of the soy-based biocomposite used to make the auto body. But soy quickly lost out to petrochemical plastics.

“In those days you had a lot more oil around,” Tao said. “You didn’t have to wait until the growing season.”

And there was another problem: permeability. The soy plastic was not waterproof. “Petroleum is biologically and relatively chemically inert, ” Tao explained. “Most living systems require water.”

Fossil fuels quickly dominated the plastics market. Now, agriculture-based plastics are back in the running, and with the type of catalysts developed by Coates and others, a whole new array of polymers has become commercially viable.

Choosing carbon dioxide as a feedstock for a polymer was not an obvious choice. It was what Coates called “a dead molecule.”

Mix carbon dioxide with an epoxide, he said, “and the two would just stare at each other for a hundred years.” The key is in finding the right catalyst to open a pathway for the carbon dioxide and the epoxide to bond.

“Catalysts are like a matchmaker who make a marriage and then can go off and make other marriages,” Coates said. “They accelerate a reaction without being consumed by that reaction.” His catalyst – beta-diiminate zinc acetate, or “zinc-based pixie dust,” in Coates’s words – was designed to speed “a reaction from a geological time scale to the laboratory time scale.”

Green polymer businesses seem to be springing up everywhere.

Rodenburg BioPolymers, a Dutch company, makes plastic from potato waste. Metabolix, based in Boston, grows a natural form of polyester inside genetically modified E. coli bacteria.

Tao, of Purdue, said history was repeating itself, in a way. “Its almost like we’re seeing the same competition over who will dominate the plastic market as we did a hundred years ago,” he said. “But this time it is a very different race.”